Apr '15 7
Surfing a Celestial Wave. Photo by Robert Rath from Robert's website.

I really have nothing to say about today's poem.


Disconnect

I fell off the edge of the world
on Tuesday at 9.30 pm.
Dreamily I realise the thin silk line
has frayed and snapped.
Slowfloating away
I notice a tabby cat who'd disappeared from our street
seven months before;
one sock of a favourite pair, long mislaid;
an unfinished apple;
a disconnection notice from the electricity company.
I waft through the atmosphere's edgelands
colliding with cosmic junk and space debris.
I begin to wonder what I'm doing here
and where everyone else is
when I spot a silver spaceship
rocketing towards me
and there's a man inside
waving and smiling
so I wave and smile back
and he yanks me into his capsule.
Pleased to meet you, he says,
shakes my hand
asks if I've been up here long.
Me, he says, I'm just floating around
in this tin-can up here
and there's nothing I can do
I love my wife very much but
you know, it's quite quiet here...
...oh sorry, so rude of me, he grins
my name is Tom,
Major Tom.
And the pot I smoked
and the Bowie records I hazed to
all begin to make sense
as Starman and I
share beers and Pringles and chill
more than one hundred thousand miles
above blue planet earth.

Posted by Jennifer Liston

Apr '15 6
Maserati. Photo by Robert Rath.

Last night we went to see the movie Fast and Furious 7. Today I was reading some of Alicia Suskin Ostriker's book, Stealing the Language The Emergence of Women's Poetry in America. It's a discussion about women and the gender bias generally associated with women's poetry.

Today's poem twists these wildly different yet complementary creative ideas together. And in the interests of irony, I pinched Ostriker's book title.

As always, today's poem has just been moulded, so please forgive its rough edges.


Stealing the language

I will break out the jargon
of corporations
and thug nations
I will steal it back
modify and transform it
turn native cams and coils
over and inside out
cranking and revving that engine
then parachute its supercharged ass
from a plane
in an alien sky
fuel-inject it
then reverse it off impossible cliffs
hyperjump it between buildings
joyride it rough
through no-through roads
and hairpin bends in conversation
making sense of nonsense
tearing this sorry town down
from its lofty, mannish notions

Posted by Jennifer Liston

Apr '15 5


We bought a frying pan at IKEA yesterday and I was reminded of how much I love reading their catalogues. As a copywriter myself, I love to read good advertising copy and IKEA's ticks all the boxes for the win. I decided that I would 'rescue' a poem from the 2015 catalogue.

You can read about my 'rescue' process here.

Basically I write a poem using only the words from a limited amount of text I have transcribed – that might be a couple of pages from a novel/novels, or in this case, seven 'blurbs' from the 2015 catalogue.

The important distinction between my rescuing process and other process-based approaches such as 'finding' poems is that I do not select a complete phrase or sentence; after I transcribe the text I jumble it so that all the words are in random order, and then I choose words as individual building blocks. The resulting rescued poem is usually quite surprising, then, because I take the words out of their original context and impose my own creativity on them, combining them to give a new twist – as is the case with this little rescuee.


little people of IKEA

even the tiniest children are complicated
up and down in a million moments
these unique little freaks
play
explore
dream
lost in worry-free space
home in happy safe place
ideas become needs
become want want want
getting and giving
getting and giving
high on make-believing every day
hide in giggling sleep every night

and you think
you can stack time
in smart storage
but that's not the way
it seems to play out
and one day
the world takes these
not
so
little people
away
away



Posted by Jennifer Liston

Apr '15 4

Once In A Red Moon, In Our Backyard. Photo by Robert Rath from Robert's website.

This evening Robert and I went to Tungkillo, about an hour east of Adelaide, to watch and photograph the eclipse. I used an old eclipse image of Robert's for this post, but I know he'll have some sensational shots of tonight's lunar activity. Just not soon enough for me!


A lunatic proposition

The blood moon she rise, she rise...
...but how can I write about that lunar disk
high above a low horizon
being eclipsed, our shadow slowly covering her
over the greened-granite ground of Tungkillo?
I am reminded how
timing is and isn't everything,
how a break through the haze
may lead to a hope for understanding,
how the sky is 3D-clouded
just like my judgement
of the wisdom
of writing about
what writers and artists and photographers
have already witnessed
in true poetic justice.



Posted by Jennifer Liston

Apr '15 3
Someone Else's Images. Photo by Robert Rath from Robert's website.

This evening Robert and I went to the Trent Parke photography exhibition, The Black Rose, at the Art Gallery of South Australia. I had already visited it with several lovely poetry friends during the week, but the exhibition needed at least a second viewing. The body of work on display is immense, powerful and spans a range of subjects; dark, personal and moving. Many of the images are accompanied by text written by the photographer about dreams and life events deeply connected with the images.

Today's poem inspired by the exhibition refers to images in the exhibition but offers a sinister twist. Originally, the first line of the poem was it - the entire poem - but more insisted on being included.


Candidly speaking

The woman in the photograph followed me home.

Out of that dark room.

A sombre kind of shadow.

Mirroring my breathing,

my captured memories: like butterflies in cages

and rabbits in sand dunes;

the fox! the fox!

Spines and skeletons and bones

are everywhere reminders.

Here a mother’s hair.

There a father’s gallstones.

Depressed shutter; press. Press. Firm.

Here with me now, she frames the doorway

of this dark room,

she touches my cheek; whispers

that she is moved by my portrait.


Posted by Jennifer Liston

Apr '15 2
Ash, Rain, Clay and Smoke. Photo by Robert Rath from Robert's website.

Hello day two.

The title of today's poem is from a rather enigmatic essay I was reading today called 'The Laugh of the Medusa' by French feminist Hélène Cixous in 1976.


We are black and we are beautiful

like the barrel of a Beretta
like pudding: blood and bone
like a length of salted liquorice
like the slick-swoop of a crow

like your morning-kickstart coffee
like a Nazi’s polished boot
like a layer of tar for feathers
like your formal mourning suit

like the ink on first-love letters
like Roisín; mail; and mass
like a supermodel’s mascara
like a hole; a little dress

like a porcelain black cowry
like keys that tone a chord
like that mongrel on your shoulder
or your winning, ace-filled hand


Posted by Jennifer Liston

Apr '15 1
Small Moves to the Orion Nebula. Photo by Robert Rath from Robert's website.

So, here I am again: I had a momentary lapse of synaptic connectivity and registered for NaPoWriMo, the 2015 poem-a-day project.

I read somewhere recently about how we may all have been born under different astrological signs if the so-called thirteenth sign of the zodiac, Ophiuchus, the serpent-bearer, had been included. Today's poem imagines how that may have unfolded for poor old Ophiuchus.

As always, I preface these poems with the reminder: they are daily-fresh and may need time to mature after rework!


The forgotten constellation

Serpent-bearer Ophiuchus
left out in the astrological cold
clenches a furious fist
spits venom at his exclusion
from the circle of twelve
while his cold-blooded pet
slides lazily
up his tightened right arm
along the back of his broad, hunched shoulders
then down, encircling his waist
in starry-eyed slitheriness;
Ophiuchus huffs and puffs
stamps on Scorpio
in stormy rage
hollers about unlucky thirteenth
at his Milky Way neighbour;
tired of the temper and the celestial carry-on
the serpent glides down, down
over knotted limbs
and meteored feet
slips silently into a black, black hole
leaving Ophiuchus desolate:
purposeless now,
permanently banished
to an astral wasteland.




Posted by Jennifer Liston

Jun '14 16


Images from The Found Poetry Review website.

I'm delighted that my 'found' poem, 'The Smoothest Place is Right Here', sourced from Chapter 18 of James Joyce's Ulysses, has been published in The Found Poetry Review's special Bloomsday edition.

You can read it over here.

Happy Bloomsday!

Posted by Jennifer Liston

Apr '14 30

Rain. Photo by Robert Rath from Robert's website.

Last night I was reading Carol Ann Duffy's wonderful poetry collection The World's Wife, which features fabulously entertaining poems from the perspectives of the women behind famous mythological and historic male figures such as Herod, Midas, Quasimodo, Medusa and many others.

Today's poem is modelled on that idea and her style. Say hello to Mrs Noah.


Mrs Noah

Well he heard those voices and I thought,
here we go again,
so he gets to work carving an ark
and in fairness the weather changed: dark clouds gathered;
at first there was a light drizzle
but then the heavens opened and
down it poured,
and with himself hammering and sawing away out in the yard
it was nice to settle in by the fire
with a few glasses of shiraz
and Hello! and Who Weekly;
God knows I was happy enough to catch up on the gossip
and have a little rest from the daily prophecies
and the heavy-duty theological debates.

Fair play to him; he finished the three-storey monstrosity
and managed to round up two of every living thing
and when it came to boarding,
God! what a military operation.
Two by two they clambered and skittered
and galloped and flippered their way up the gangway,
all of them looking as stunned as myself.

There was no broadband, of course,
no wifi, no mobile signal.
I'm no Stepford wife
but I know how Walter's wife in 'Breaking Bad' must have felt:
it's too bloody late to get off this train now,
better just settle in for the ride.

The stench of shit was goddamn awful:
the goats and kangaroos
dropped mini turd bombs everywhere
and I could've abseiled down
the elephants’ mountains of steaming dung.

Let me tell you, as if the stink wasn't enough
I nearly went insane with the noise,
what with the galahs yabbering and the lions roaring and the wolves howling and the bulls bellowing and the hyenas laughing and the monkeys chattering…
…well, you get my drift.

And then he had the gall to complain
that we weren't having enough sex!
that we needed to procreate!
He didn’t seem to notice
that we were already
fairly rocking and rolling
in a wooden piece of flotsam
in an unprecedented deluge:
not exactly conducive to the ole horizontal jiggy-jiggy he had in mind.

Would you really want your child born in a floating zoo?
I asked him
but he just looked at me as if to say
'You know nothing, Mrs Noah, you know nothing'.

By then I was making serious inroads
into the stash of wine on board
and so was he;
there was still no sign of the dove he'd sent out,
(I silently wished it luck),
he was a bit long in the tooth
to have taken on a project of this size;
had he gone a tad overboard?

The last (damp) straw for me was
when the two giraffes threw up all over the floor,
not to mention the pandemonium that ensued
when the buffalo tried to mess with the bison's mate.

I told him that as soon as we got off this floating hellhole,
as soon as I set my size five on dry land
I'd be leaving him and his menagerie for good
but he pleaded with me, yes he did, in that
'I'm going to convert you' way of his,
and I said no, I'm not changing my mind, no, no,
and then he took me in his animal husbandry arms
and I said ah, no, no, don't be doing that, no, no,
and then he kissed me oh so tenderly,
and I said ah no, no, no, ah no
and he whispered mad secret things in my ear
and I could feel my flood of desire for him rising
as I said ah, no, no ah no ah ah, Noah, Noah, Noah!

Posted by Jennifer Liston

Apr '14 29

Boo. Photo by Robert Rath from Robert's website.

I set two rules for today's poem.

Last year I used an anagram generator on my name to write a poem on 27 April for NaPoWriMo 2013.

I decided to use the anagram generator again, but this time I plugged in the question 'What will I write about today'. After crashing the server a few times I applied some rules (minimum of two letters) and it spat out 1,608 words.

As if that constraint wasn't enough, I then decided that the poem would be acrostic. Each line of the poem starts with the first letter of each word in my original sentence. The result is a sinister little yarn with an apparently bigger backstory.


What will I write about today?

Wily widow hated the willowy bride,
willed her hell; brutally throttled her,
irately buried the rotted body below.
Wary troubled lad blurted the word ‘adultery’,
aware of the threat, he wrote her obituary
to blur the oily blue of hollowed earth.

Posted by Jennifer Liston

Apr '14 28

Market Mascots. Photo by Robert Rath from Robert's website.

I'm on the home straight of writing and publishing a poem a day for April; only two to go (after this one).

Thank you so much to everyone who has taken time to comment or 'like' my writing efforts. It's a tough and fairly lonely challenge and any and all feedback is a welcome boost to the morale.

A few months ago I wrote the lines 'The trees are singing their heads off / the birds are losing their leaves' and abandoned them. Today I decided to continue. As usual, I was surprised where I ended up.


Much ado about a to-do

The trees are singing their heads off
the birds are losing their leaves
the sky is growing a garden of gnomes
the air is knocked to its knees

everything is higgledy down
all is piggledy upside
the whole shebang is mumbled and juddled
conplussed, muxed ip and stummoxed

We kiss the grief that prays with us
we stroke the love that strikes us
we dance and dine with the sticks and stones
and bones that roll and break us

everything is higgledy down
all is piggledy upside
the whole shebang is mumbled and juddled
conplussed, muxed ip and stummoxed

We swim for our lives in vats of words
we relish the wine that speaks us
we cling to a hope that weaves a web
of lies and to poison that tastes us

everything is higgledy down
all is piggledy upside
the whole shebang is mumbled and juddled
conplussed, muxed ip and stummoxed

We own the leaders who sell themselves out
we give flying honours to hornets
we play with the lives of children confined
we get thin on our thousand-cut pensions

everything is higgledy down
all is piggledy upside
the whole shebang is mumbled and juddled
conplussed, muxed ip and stummoxed

Posted by Jennifer Liston

Apr '14 27

Eye to Eye . Photo by Robert Rath from Robert's website.

I was at Brighton markets this morning and I picked up a copy of Tim Winton's 1986 novel That eye, the sky. (As an editorial aside, the punctuation of the title is inconsistent; neither the title on the cover nor the main title a couple of pages in is punctuated with a comma, but the titles on the first page and in the copyright information blurb are.)

Yesterday I spent some time reading through the final (18th) chapter of James Joyce's Ulysses for a little project I'm working on. I love the language of Molly Bloom's stream of consciousness and the way her thoughts leap all over the place and not a scrap of punctuation in sight (except for capitalisation of some words).

And so, today's piece.


the way you might look at it

that eye the sky is watching is just about to blink its lid is about to close jaysus whatll we do when the cosmic gale comes blowing with the blink itll unsettle gases and those photony molecool things will go to wrack and ruin and the sky will be bracing itself and going quiet and the atmosphere will be getting all wound up a bit like the way I go when himself is getting all randy on me and the sun will be turning all still and chill and fading while its waiting to see if the eye will complete the blink and open again like it did long ago but sure the sun cant remember exactly how long ago that was how could it remember its own birth I cant remember being born and why would the sky or the sun or the stars or anything else be able to not that Im saying Im all powerful or anything but if were supposed to be the conscious ones then surely wed be the ones who could remember ourselves being born but its probably better we cant remember our entry into the world isnt it enough that we remember it for our young wans all that pain and blood and us shouting our heads off until the slimy little caffler emerges through our impossible tiny hole and anyway the sun will be waiting to see if the eye will complete the blink and open it again because the last time it did that the last time the eye opened it saw the sun into being and it saw the sky into being and now its just about to shut its lid and itll be a long time before it opens again you know what they say eternity passes in the blink of an eye except if youre bang slap in the middle of you know what and himself taking for ever pardon the french but for the most part yes sir eternity passes in the blink of an eye the blink of that one our sky is watching

Posted by Jennifer Liston

Apr '14 26

X. Photo by Robert Rath from Robert's website.

Today's poem is a playful use of another kind of language constraint: palindromes. These are words that read the same forwards and backwards but that also have the same meaning both ways. I collected a long list from here. Then I ordered them into what turned out to be a rather surreal yarn.

I couldn't find a photo of Robert's that had a palindromic title, so I chose one with a single-letter title. It turned out to be visually appropriate.


Yawn a more Roman way

Kay, a red nude, peeped under a yak.
Lid off a daffodil. Loops at a spool.
Marge, let's send a sadness telegram.
Ma is a madam, as I am.
Name now one man. No devil lived on.
Ma is as selfless as I am.

Tulsa night life: filth, gin, a slut.
Party boobytrap. Pull up if I pull up.
Live not on evil. Name not one man.
No trace, not one carton.

        Rats at a bar grab at a star.
        Was it a rat I saw?
        Star rats. Stack cats.
        Was it a cat I saw?
        Too bad I hid a boot.

Was it a bar or a bat I saw?
Was it a car or a cat I saw?
Wonders in Italy, Latin is red now.
Tips spill, lips spit. UFO tofu.

Are we not drawn onward to new era?
Bombard a drab mob. Borrow or rob?
Cigar? Toss it in a can. It is so tragic.
Do nine men interpret? Nine men. I nod.

Cain: a maniac. Dammit, I’m mad.
Devil never even lived. Goddamn mad dog.
Red rum, sir, is murder. Wow.
Name no one man.

        Rats at a bar grab at a star.
        Was it a rat I saw?
        Star rats. Stack cats.
        Was it a cat I saw?
        Too bad I hid a boot.

Gate man sees name,
garage man sees name tag.
I did, did I? I’m a pup, am I?
God lived as a devil dog.
I’m a fool; aloof am I.

Won't I panic in a pit now?
Won't lovers revolt now?
Evil did I dwell, lewd I did live.
"Reviled did I live," said I, "as evil I did deliver!"

        Rats at a bar grab at a star.
        Was it a rat I saw?
        Star rats. Stack cats.
        Was it a cat I saw?
        Too bad I hid a boot.

        Rats at a bar grab at a star.
        Was it a rat I saw?
        Star rats. Stack cats.
        Was it a cat I saw?
        Too bad I hid a boot.

Posted by Jennifer Liston

Apr '14 25

Save Water. Photo by Robert Rath from Robert's website.

I've just started reading Atlas Shrugged by Ayn Rand. For today's poem I chose at least one sentence from every 100 pages (the edition I'm reading has 1,070 pages of very small type). I ended up choosing 12 sentences from pages 151, 278, 316, 429, 506, 563, 589, 647, 728, 840, 924 and 1,026. Then I ordered them in as meaningful a way as possible.

To select which of Robert's images I would use, I added up the page number values and divided the result by 12 to get the average, which was 583. I then used the image from day 583 of Robert's 1000-photo project.


A random shrug

She had heard no mention of his name
She had seen the brief pause in his glance
He did not care to explain his presence
How did you find out where I was?
He was so tired of all those people
The words in his mind were like the beat of steps
She did not trust the useless young men
And then she gasped because the trail had turned
It seemed to her that she saw him fall
Men do not live by the mind, you say?
There is no way to disarm any man
Learn that there are things beyond your reach.

Posted by Jennifer Liston

Apr '14 24

Silhouette Swan. Photo by Robert Rath from Robert's website.

The inspiration for today's poem is two literary hoaxes; one in Colombia and one in Australia.

Gabriel García Márquez, Colombian novelist and winner of the 1982 Nobel Prize for Literature, died last week (17 April). Back in 1999 he was treated for lymphatic cancer. On 29 May 2000 a farewell poem, titled 'La Marioneta' or 'The Puppet' and supposedly written by him, was published in the Peruvian daily La Republica. The poem was in fact written by Mexican ventriloquist, Johnny Welch, for his puppet sidekick 'Mofles'. Read about it here.

The Autumn 1944 issue of Australian avant-garde magazine Angry Penguins published a set of poems by Ern Malley. They turned out to be hoax poems written by poets James McAuley and Harold Stewart as a "literary experiment". Read about it here.

Dymocks bookshop in Adelaide is hosting an Ern Malley tribute reading this evening at 6 pm.

For today's rescued poem (you can read about that process I've developed here) I used two source texts: the first is the actual poem, 'The Puppet', purported to have been written by Marquez. The second is the text of the preface and statement to the Ern Malley poems (collectively called The Darkening Ecliptic.) The poem title is a combination of two interesting images I chose from the poems: 'black swan of trespass' and 'trembling intuitive arm'.


Trembling black swan

Sleep light and dream of cream things
wait for the genuine moon
to serenade the stars;
let each line loiter, knowing
that wings teach man to walk
all the way, exposing
him to tears and sun
and poems; he will live
his tiny span of life
and at a certain dying moment –
when his little rag
of soul is falling, falling –
he will fly.

Posted by Jennifer Liston

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