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  • Tulpa magazine: “In a captivating feat of storytelling, Jennifer Liston entrances her audience…”

    Thank you so very much to Kayla Gaskell of Tulpa magazine for coming along to my show and for giving it such a positive and thoughtful review. I’m glad you’re still hearing the echoes of the chorus of ‘It’s a Brehon law, it’s the Brehon way’ tune!

    Click here to read the review in Tulpa magazine.

    Here’s the text of the review:

    In a captivating feat of storytelling, Jennifer Liston entrances her audience with a combination of spoken word and song. Liston’s talent for drawing in her audience is impressive as she tells the tale of a distant ancestor, the legendary Irish rebel and pirate queen Grace O’Malley (Grainne Mhaol).

    Born in the 16th century, O’Malley’s life was different to that of the typical female archetype of the time. A born leader and a wily adversary, O’Malley’s life was ruled by her love for the sea. Having devotedly learned the art of sailing and clan rule from her father, O’Malley returned to her clan after the death of her husband, taking on the role of clan chief and maintaining their reputed strength on both land and sea. With her education steeped in Brehon law, O’Malley’s character is presented as being a highly moral individual both for the good of her family and her clan.

    One of the highlights of this show is perhaps the explanation of Brehon law, a cultural norm of the time which bleeds into modernity. Together with explaining the concept and telling us of O’Malley’s afront at this law being ignored, she also graces us with a haunting tune that will stay with her audience for some time yet. Even now I can still hear the echoes of that chorus.

    Liston transforms the atmosphere of the Grande Room in Gilbert Street hotel into something almost mystical. With the help of white and red lighting, subtle costume ‘changes’, and the skill of switching between song, narration, and poetry the audience is quickly drawn into this entirely captivating performance.

    Born from scraps of history, legend, and a touch of innate intuition, this performance is telling in the way stories can inspire new works of art. If Liston hadn’t heard O’Malley’s story from Sister Peter back in school and if she hadn’t talked with her mother about it after, who knows if Liston would have come so far as to perform this particular show at this particular Fringe Festival far from the wilds of her Irish homelands.

  • The Advertiser: “a moving tribute …let’s hope she takes this little masterpiece global”

    Thank you, Katie Spain, from the Adelaide Advertiser, for coming to the show and writing up such a positive review. It’s so encouraging to read: “…let’s hope she takes this little masterpiece global”!

    Click here to read the review in The Advertiser.

    Here’s the text of the review:

    It’s the year 1530 and Grace O’Malley (Gráinne Mhaol as she is known in Irish folklore) takes her first breath in what is to be a life of adventure.

    Nearly five centuries later, Adelaide-based, Irish-born performer Jennifer Liston brings the ‘Pirate Queen of Mayo’s’ life story to the stage.

    Gráinne whispers tales of yore in Liston’s dreams, resulting in an ode to the fiery-haired warrior.

    Her hour-long history lesson is interwoven with animated storytelling, poetry, and traditional Irish songs.

    We meet Gráinne’s past lovers, join her fleet of ships as she sails from island to island along the west coast, endure bloody battles, childbirth on the open waters, and an encounter with Queen Elizabeth I.

    Liston (an engineer by trade) is a captivating storyteller with a beguiling voice. This is the world premiere of her one-woman show and once the nerves settle and Gráinne’s courageous spirit engulfs the intimate venue, it is a moving tribute. Let’s hope Liston takes the little masterpiece global.

  • AU Review: “Liston is a captivating storyteller…” “…a fascinating insight into a remarkable pirate queen…”

    Thank you so much to John Goodridge of the AU Review for coming along to one of my Adelaide Fringe 2020 shows and reviewing it so thoughtfully. I really appreciate it.

    Click here to read the review in the AU Review.

    I love that people who’ve never heard of Gráinne Mhaol/Grace O’Malley are intrigued by her! She is particularly fascinating!

    Here’s the text of the review:

    Grace O’Malley (Gráinne Mhaol), was a powerful seafaring chieftain in 16th-century Ireland who commanded 200 men at sea, and met with Queen Elizabeth I. Curiously, she is not readily found in history books, so Jennifer Liston has brought her story to life, using original poems, songs and music.

    The upstairs room in the Gilbert Street Hotel has an almost nautical feel about it, perfect for the intimate gathering to listen to the narrative. Irish born Liston has a sprinkling of Grace O’Malley’s blood in her. Dressed in a simple white bodice with green trousers and a grey shawl, she leads us seamlessly between story and song, interspersed with Gaelic poems and tales of hospitality and pirates.

    Grace O’Malley’s family motto was “Powerful by land and by sea” and the stories reflected the true power of this remarkable woman. Liston is a captivating storyteller and she relishes in the opportunity to tell the chronicles of this extraordinary woman.

    O’Malley was a seafarer from a young age and held tightly to the concept of hospitality. During a trip to Dublin, O’Malley was refused entry to Howth Castle. After abducting the grandson in retaliation, an agreement was made that all visitors would have a welcome. To this day, a place is set for her.

    She gave birth to a son at sea, yet within the hour was capturing another pirate ship. During the clan wars of Ireland, she requested a meeting with Queen Elizabeth and sailed through the English Channel and up the River Thames. Meeting her equal, she managed to broker a truce (conducted in Latin) which benefited both parties. It is said that she died at a ripe old age in 1603, the same year as Elizabeth.

    This performance was a fascinating insight into a remarkable pirate queen, that could easily be expanded upon with the many fascinating tales to be told.

  • Interview about Gráinne Mhaol/Grace O’Malley Adelaide Fringe show on 5MBS

    5MBS is one of Adelaide’s coolest community radio stations that’s been going since 1993, and run completely by volunteers.

    I was delighted when Emily Sutherland invited me in to chat about my Grace O’Malley/Gráinne Mhaol Adelaide Fringe show for her Kaleidoscope program.

    Click here to listen to the interview – I start at about the 45-minute mark on the 16 Feb 2020 podcast.

  • Bringing a pirate queen to life at the Adelaide Fringe 2020

    I’m super-excited to be participating in this year’s Adelaide Fringe with my solo show, Grace Notes: Grace O’Malley, Irish rebel, pirate queen. I had planned to do just three shows (on 21, 22 and 28 February), but to my surprise and gratitude, they sold out a few weeks ago.

    So I’ve just added another show, on Wednesday 26 February. It’s upstairs in the Grande Room at the Gilbert Street Hotel. The room is lovely and quite small – it holds 30 people. I wanted an intimate, cabaret-style setting that would suit story-telling and a cappella singing.

    Click here to visit the Adelaide Fringe website in case you’d like to join me.

    It’s an absolute privilege for me to have the opportunity to bring this amazing woman to life through my original poems and songs, and to share it in the Fringe. The Adelaide Fringe is such an exciting festival – it’s the world’s second-largest annual arts festival (after the Edinburgh Festival Fringe), and this year, it celebrates its 60th birthday. So Adelaide will be jumping!

    I developed the show from the content of my PhD poetry collection, which gives a voice to Gráinne Mhaol. The poems express fragments of her life, and are interspersed with original and traditional Irish songs.

    And who was this woman? Gráinne was a powerful sea-faring chieftain who lived in the west of Ireland from 1530 to 1603. During this time – one of the most turbulent political eras in Ireland’s history – she and her crew traded by sea with Scotland, Spain and Portugal from her base in Mayo.

    Irish contemporary historical literature has mostly overlooked Gráinne in spite of her prominent role in politics. She pops up quite frequently in various English political papers and communications, however, because of how irritating she was to the English regime which was busy trying to colonise Ireland at the time. In various dispatches she was called ‘the nurse to all rebellions for forty years’ and ‘a director of thieves and murderers at sea’. It was through subsequent retelling of her seafaring exploits that she came to be known in Ireland as the ‘pirate queen’. In the deeply researched biography Granuaile, Grace O’Malley – Ireland’s Pirate Queen, Irish author Anne Chambers fleshes out Gráinne’s life.

    According to a letter written in the 1950s by my great-Aunt Angela Russell (née Coyne), sometime in the mid-1800s my great-great-grandfather James Coyne married an O’Malley woman who was related to Gráinne. Of course, Gráinne’s direct descendants are more likely to be O’Flaherty or Bourke – Gráinne’s husbands’ surnames – but that doesn’t rule out the possibility that we have a few globs of O’Malley blood running through us!

    I hope to see some of you at the show! Thank you to everyone who has already bought tickets. It really means a lot to me.

    Again, here’s the link to the Adelaide Fringe website in case you’d like to join me.

  • Poem a day for 30 April 2018: the words of a last toast insist that large fortune is laughter, love and nice wine

    Today is the last day in the NaPoWriMo-write-and-post-a-poem-every-day project. Thank you for reading them and for your kind remarks and feedback.

    Although it’ll be nice to claw back a few hours in my day, I will miss the daily discipline of the rescue process and the strange little poems that result.

    The 30 April rescuees are quite interesting and mostly ‘dark’. Their ‘narrative-heavy’ nature is not surprising to me at all; the very act of being presented with a bundle of disordered words seems to demand that I construct a story with them.

    Today, for the final rescue (for now), I decided to load up the constraint with yet another: write a haiku (three-line poem with five, seven and five syllables in each line respectively). This was somewhat inspired by my poet friend Mike’s use of haikus to finish up his poem-stories (they’re great; you can read them over here).

    Today’s cryptic rescuee squeezed out from pages 179 and 104 of The Devourers and Marie Tarnowska respectively, both by Annie Vivanti Chartres.

    the words of a last toast insist that large fortune is laughter, love and nice wine

    raise thy glass to life
    death the cat and mouse farewell
    my red shoe kicks straight

  • Poem a day for 29 April 2018: You shall never be alone, he said

    Today’s rescued poem was another challenging one – plenty of nouns and verbs but not really useful combinations of tenses, hence the ‘clunky’ feel of the flow. I know the format of ‘husband-to-be’ is not really correct, but I’ve allowed it anyway.

    This rescuee slunk from pages 103 and 25 of The Devourers and Marie Tarnowska respectively, both by Annie Vivanti Chartres.

    You shall never be alone, he said

    She smoked a wistful cigarette,
    her head bent,
    her breath light and rapid:
    a crumpled creature.

    He had walked with her
    laughed with her
    had pulled her to him
    his dear lips had kissed her
    had asked her to marry him –
    her very own wish.
    Nerves had gripped her
    on the ivory morning
    of her wedding day.

    This blue evening,
    she is watching out
    for the husband to be
    who never turned up.

  • Poem a day for 28 April 2018: In the arms of an instrument

    I wasn’t sure what kind of poem I was going to rescue from today’s jumble of words: both pages of text were short so the vocabulary pot wasn’t very big. And of course there were the usual pronoun/verb/tense challenges that I’ve come to know, expect and even love!

    So this demure little rescuee slipped from pages 279 and 43 of The Devourers and Marie Tarnowska respectively, both by Annie Vivanti Chartres.

    In the arms of an instrument

    Now she is at rest,
    her coffin shut solemnly
    like her old violin-case,
    hidden by flowers
    as magnificent as the variations
    she could play;
    she was the violin
    holding the key of the strings
    holding the key to locked doors
    that opened as you listened,
    beckoned you in
    and lifted you up to die in this
    single
    treasured
    moment.

  • Poem a day for 27 April 2018: Sometimes life is dreaming an idea

    I found today’s poem difficult to rescue; I think that knowing I’m close to the end of the poem-a-day project may have quite a bit to do with it. (There are only three left to rescue after today’s!)

    The nouns weren’t very interesting (yet I used almost all of them, except for a few abstract ones); the pronoun–verb combination didn’t work the way I would’ve liked; and there weren’t many useful conjunctions (I really needed ‘until’ but it wasn’t there).

    All of this is so obvious to me when I re-read the poem, but it’s a curious one all the same.

    This one shuffled from pages 210 and 49 of The Devourers and Marie Tarnowska respectively, both by Annie Vivanti Chartres.

    Sometimes life is dreaming an idea

    It was morning when she broke through her chrysalis-shell.
    She looked about her, surveying the garden.
    She mused, but then leaped from the rose,
    willing herself at one
    with day, with earth, with fate.
    A bird with blue feathers called her vulgar
    but she shook her gentle head
    and grasped the flame of her belief to herself.
    Sometimes despair surrounded her
    but then she would remember
    to be kind to herself.
    At noon she found her talents:
    making verses from an idea
    making names for nameless things
    making a voice for someone;
    this was her life from that hour
    to the next,
    making,
    making,
    making.
    Then she struck the dead end of evening.

  • Poem a day for 26 April 2018: When a word is a bullet

    I found it a bit challenging to wrangle today’s rescued poem out of the jumbled-word mess. None of the words particularly inspired me, there was no ‘you’, ‘we’, or ‘they’, and there was a distinct lack of useful prepositions.

    For some reason I seem to have maintained the sing-song rhythm of the last couple of days.

    Just a reminder that these poems are not really edited much at all, and if I were to edit them, I’d have to make sure I replaced words with other words from the two pages of text so that the rescue process isn’t compromised.

    This little rescuee jingled its way out of pages 52 and 108 of The Devourers and Marie Tarnowska respectively, both by Annie Vivanti Chartres.

    When a word is a bullet

    Her pillow sobbed with grief at night
    her bed lay hard and bitter
    her wound could not be bound or dressed
    her sunken heart had languished.

    Every word of his were flowers,
    his lips were lines of sunshine.
    When he called her, she would smile,
    gladdened; dancing; trembling.

    Futile, now, to speak about
    the sun, the apple-blossoms;
    he had whispered to her: l o v e.
    Then he had laughed, and left her.