Category: NaPoWriMo 2014

National poetry writing month

  • Poem a day for 30 April 2014: Mrs Noah


    Rain. Photo by Robert Rath from Robert’s website.

    Last night I was reading Carol Ann Duffy’s wonderful poetry collection The World’s Wife, which features fabulously entertaining poems from the perspectives of the women behind famous mythological and historic male figures such as Herod, Midas, Quasimodo, Medusa and many others.

    Today’s poem is modelled on that idea and her style. Say hello to Mrs Noah.

    Mrs Noah

    Well he heard those voices and I thought,
    here we go again,
    so he gets to work carving an ark
    and in fairness the weather changed: dark clouds gathered;
    at first there was a light drizzle
    but then the heavens opened and
    down it poured,
    and with himself hammering and sawing away out in the yard
    it was nice to settle in by the fire
    with a few glasses of shiraz
    and Hello! and Who Weekly;
    God knows I was happy enough to catch up on the gossip
    and have a little rest from the daily prophecies
    and the heavy-duty theological debates.

    Fair play to him; he finished the three-storey monstrosity
    and managed to round up two of every living thing
    and when it came to boarding,
    God! what a military operation.
    Two by two they clambered and skittered
    and galloped and flippered their way up the gangway,
    all of them looking as stunned as myself.

    There was no broadband, of course,
    no wifi, no mobile signal.
    I’m no Stepford wife
    but I know how Walter’s wife in ‘Breaking Bad’ must have felt:
    it’s too bloody late to get off this train now,
    better just settle in for the ride.

    The stench of shit was goddamn awful:
    the goats and kangaroos
    dropped mini turd bombs everywhere
    and I could’ve abseiled down
    the elephants’ mountains of steaming dung.

    Let me tell you, as if the stink wasn’t enough
    I nearly went insane with the noise,
    what with the galahs yabbering and the lions roaring and the wolves howling and the bulls bellowing and the hyenas laughing and the monkeys chattering…
    …well, you get my drift.

    And then he had the gall to complain
    that we weren’t having enough sex!
    that we needed to procreate!
    He didn’t seem to notice
    that we were already
    fairly rocking and rolling
    in a wooden piece of flotsam
    in an unprecedented deluge:
    not exactly conducive to the ole horizontal jiggy-jiggy he had in mind.

    Would you really want your child born in a floating zoo?
    I asked him
    but he just looked at me as if to say
    ‘You know nothing, Mrs Noah, you know nothing’.

    By then I was making serious inroads
    into the stash of wine on board
    and so was he;
    there was still no sign of the dove he’d sent out,
    (I silently wished it luck),
    he was a bit long in the tooth
    to have taken on a project of this size;
    had he gone a tad overboard?

    The last (damp) straw for me was
    when the two giraffes threw up all over the floor,
    not to mention the pandemonium that ensued
    when the buffalo tried to mess with the bison’s mate.

    I told him that as soon as we got off this floating hellhole,
    as soon as I set my size five on dry land
    I’d be leaving him and his menagerie for good
    but he pleaded with me, yes he did, in that
    ‘I’m going to convert you’ way of his,
    and I said no, I’m not changing my mind, no, no,
    and then he took me in his animal husbandry arms
    and I said ah, no, no, don’t be doing that, no, no,
    and then he kissed me oh so tenderly,
    and I said ah no, no, no, ah no
    and he whispered mad secret things in my ear
    and I could feel my flood of desire for him rising
    as I said ah, no, no ah no ah ah, Noah, Noah, Noah!

  • Poem a day for 29 April 2014: What will I write about today?


    Boo. Photo by Robert Rath from Robert’s website.

    I set two rules for today’s poem.

    Last year I used an anagram generator on my name to write a poem on 27 April for NaPoWriMo 2013.

    I decided to use the anagram generator again, but this time I plugged in the question ‘What will I write about today’. After crashing the server a few times I applied some rules (minimum of two letters) and it spat out 1,608 words.

    As if that constraint wasn’t enough, I then decided that the poem would be acrostic. Each line of the poem starts with the first letter of each word in my original sentence. The result is a sinister little yarn with an apparently bigger backstory.

    What will I write about today?

    Wily widow hated the willowy bride,
    willed her hell; brutally throttled her,
    irately buried the rotted body below.
    Wary troubled lad blurted the word ‘adultery’,
    aware of the threat, he wrote her obituary
    to blur the oily blue of hollowed earth.

  • Poem a day for 28 April 2014: Much ado about a to-do


    Market Mascots. Photo by Robert Rath from Robert’s website.

    I’m on the home straight of writing and publishing a poem a day for April; only two to go (after this one).

    Thank you so much to everyone who has taken time to comment or ‘like’ my writing efforts. It’s a tough and fairly lonely challenge and any and all feedback is a welcome boost to the morale.

    A few months ago I wrote the lines ‘The trees are singing their heads off / the birds are losing their leaves’ and abandoned them. Today I decided to continue. As usual, I was surprised where I ended up.

    Much ado about a to-do

    The trees are singing their heads off
    the birds are losing their leaves
    the sky is growing a garden of gnomes
    the air is knocked to its knees

    everything is higgledy down
    all is piggledy upside
    the whole shebang is mumbled and juddled
    conplussed, muxed ip and stummoxed

    We kiss the grief that prays with us
    we stroke the love that strikes us
    we dance and dine with the sticks and stones
    and bones that roll and break us

    everything is higgledy down
    all is piggledy upside
    the whole shebang is mumbled and juddled
    conplussed, muxed ip and stummoxed

    We swim for our lives in vats of words
    we relish the wine that speaks us
    we cling to a hope that weaves a web
    of lies and to poison that tastes us

    everything is higgledy down
    all is piggledy upside
    the whole shebang is mumbled and juddled
    conplussed, muxed ip and stummoxed

    We own the leaders who sell themselves out
    we give flying honours to hornets
    we play with the lives of children confined
    we get thin on our thousand-cut pensions

    everything is higgledy down
    all is piggledy upside
    the whole shebang is mumbled and juddled
    conplussed, muxed ip and stummoxed

  • Poem a day for 27 April 2014: the way you might look at it


    Eye to Eye . Photo by Robert Rath from Robert’s website.

    I was at Brighton markets this morning and I picked up a copy of Tim Winton’s 1986 novel That eye, the sky. (As an editorial aside, the punctuation of the title is inconsistent; neither the title on the cover nor the main title a couple of pages in is punctuated with a comma, but the titles on the first page and in the copyright information blurb are.)

    Yesterday I spent some time reading through the final (18th) chapter of James Joyce’s Ulysses for a little project I’m working on. I love the language of Molly Bloom’s stream of consciousness and the way her thoughts leap all over the place and not a scrap of punctuation in sight (except for capitalisation of some words).

    And so, today’s piece.

    the way you might look at it

    that eye the sky is watching is just about to blink its lid is about to close jaysus whatll we do when the cosmic gale comes blowing with the blink itll unsettle gases and those photony molecool things will go to wrack and ruin and the sky will be bracing itself and going quiet and the atmosphere will be getting all wound up a bit like the way I go when himself is getting all randy on me and the sun will be turning all still and chill and fading while its waiting to see if the eye will complete the blink and open again like it did long ago but sure the sun cant remember exactly how long ago that was how could it remember its own birth I cant remember being born and why would the sky or the sun or the stars or anything else be able to not that Im saying Im all powerful or anything but if were supposed to be the conscious ones then surely wed be the ones who could remember ourselves being born but its probably better we cant remember our entry into the world isnt it enough that we remember it for our young wans all that pain and blood and us shouting our heads off until the slimy little caffler emerges through our impossible tiny hole and anyway the sun will be waiting to see if the eye will complete the blink and open it again because the last time it did that the last time the eye opened it saw the sun into being and it saw the sky into being and now its just about to shut its lid and itll be a long time before it opens again you know what they say eternity passes in the blink of an eye except if youre bang slap in the middle of you know what and himself taking for ever pardon the french but for the most part yes sir eternity passes in the blink of an eye the blink of that one our sky is watching

  • Poem a day for 26 April 2014: Yawn a more Roman way


    X. Photo by Robert Rath from Robert’s website.

    Today’s poem is a playful use of another kind of language constraint: palindromes. These are words that read the same forwards and backwards but that also have the same meaning both ways. I collected a long list from here. Then I ordered them into what turned out to be a rather surreal yarn.

    I couldn’t find a photo of Robert’s that had a palindromic title, so I chose one with a single-letter title. It turned out to be visually appropriate.

    Yawn a more Roman way

    Kay, a red nude, peeped under a yak.
    Lid off a daffodil. Loops at a spool.
    Marge, let’s send a sadness telegram.
    Ma is a madam, as I am.
    Name now one man. No devil lived on.
    Ma is as selfless as I am.

    Tulsa night life: filth, gin, a slut.
    Party boobytrap. Pull up if I pull up.
    Live not on evil. Name not one man.
    No trace, not one carton.

    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspRats at a bar grab at a star.
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspWas it a rat I saw?
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspStar rats. Stack cats.
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspWas it a cat I saw?
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspToo bad I hid a boot.

    Was it a bar or a bat I saw?
    Was it a car or a cat I saw?
    Wonders in Italy, Latin is red now.
    Tips spill, lips spit. UFO tofu.

    Are we not drawn onward to new era?
    Bombard a drab mob. Borrow or rob?
    Cigar? Toss it in a can. It is so tragic.
    Do nine men interpret? Nine men. I nod.

    Cain: a maniac. Dammit, I’m mad.
    Devil never even lived. Goddamn mad dog.
    Red rum, sir, is murder. Wow.
    Name no one man.

    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspRats at a bar grab at a star.
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspWas it a rat I saw?
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspStar rats. Stack cats.
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspWas it a cat I saw?
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspToo bad I hid a boot.

    Gate man sees name,
    garage man sees name tag.
    I did, did I? I’m a pup, am I?
    God lived as a devil dog.
    I’m a fool; aloof am I.

    Won’t I panic in a pit now?
    Won’t lovers revolt now?
    Evil did I dwell, lewd I did live.
    “Reviled did I live,” said I, “as evil I did deliver!”

    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspRats at a bar grab at a star.
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspWas it a rat I saw?
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspStar rats. Stack cats.
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspWas it a cat I saw?
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspToo bad I hid a boot.

    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspRats at a bar grab at a star.
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspWas it a rat I saw?
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspStar rats. Stack cats.
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspWas it a cat I saw?
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspToo bad I hid a boot.

  • Poem a day for 25 April 2014: A random shrug


    Save Water. Photo by Robert Rath from Robert’s website.

    I’ve just started reading Atlas Shrugged by Ayn Rand. For today’s poem I chose at least one sentence from every 100 pages (the edition I’m reading has 1,070 pages of very small type). I ended up choosing 12 sentences from pages 151, 278, 316, 429, 506, 563, 589, 647, 728, 840, 924 and 1,026. Then I ordered them in as meaningful a way as possible.

    To select which of Robert’s images I would use, I added up the page number values and divided the result by 12 to get the average, which was 583. I then used the image from day 583 of Robert’s 1000-photo project.

    A random shrug

    She had heard no mention of his name
    She had seen the brief pause in his glance
    He did not care to explain his presence
    How did you find out where I was?
    He was so tired of all those people
    The words in his mind were like the beat of steps
    She did not trust the useless young men
    And then she gasped because the trail had turned
    It seemed to her that she saw him fall
    Men do not live by the mind, you say?
    There is no way to disarm any man
    Learn that there are things beyond your reach.

  • Poem a day for 24 April 2014: Trembling black swan


    Silhouette Swan. Photo by Robert Rath from Robert’s website.

    The inspiration for today’s poem is two literary hoaxes; one in Colombia and one in Australia.

    Gabriel García Márquez, Colombian novelist and winner of the 1982 Nobel Prize for Literature, died last week (17 April). Back in 1999 he was treated for lymphatic cancer. On 29 May 2000 a farewell poem, titled ‘La Marioneta’ or ‘The Puppet’ and supposedly written by him, was published in the Peruvian daily La Republica. The poem was in fact written by Mexican ventriloquist, Johnny Welch, for his puppet sidekick ‘Mofles’. Read about it here.

    The Autumn 1944 issue of Australian avant-garde magazine Angry Penguins published a set of poems by Ern Malley. They turned out to be hoax poems written by poets James McAuley and Harold Stewart as a “literary experiment”. Read about it here.

    Dymocks bookshop in Adelaide is hosting an Ern Malley tribute reading this evening at 6 pm.

    For today’s rescued poem (you can read about that process I’ve developed here) I used two source texts: the first is the actual poem, ‘The Puppet’, purported to have been written by Marquez. The second is the text of the preface and statement to the Ern Malley poems (collectively called The Darkening Ecliptic.) The poem title is a combination of two interesting images I chose from the poems: ‘black swan of trespass’ and ‘trembling intuitive arm’.

    Trembling black swan

    Sleep light and dream of cream things
    wait for the genuine moon
    to serenade the stars;
    let each line loiter, knowing
    that wings teach man to walk
    all the way, exposing
    him to tears and sun
    and poems; he will live
    his tiny span of life
    and at a certain dying moment –
    when his little rag
    of soul is falling, falling –
    he will fly.

  • Poem a day for 23 April 2014: Is it snowing where you are, Mr Thiessen?


    Pixellation. Photo by Robert Rath from Robert’s website.

    Today I was browsing the book Adventures in Form for inspiration for today’s poem and I came across a footnote which said that Reginald Fessenden broadcast the first human speech over a radio with the message “1, 2, 3, 4. Is it snowing where you are, Mr Thiessen? If it is, telegraph back and let me know.”

    So I fell down another rabbit hole and found this article about him .

    I decided to write a ‘rescued’ poem (you can read about that process I’ve developed here). I rescued today’s poem from the IEEE article and a Wikipedia article about snow.

    This rescued poem is different from most of my other rescued poems in that the subject doesn’t deviate significantly from the original source texts; that’s probably because I was intrigued by Mr Fessenden the innovator and how unacknowledged he was/is.

    Is it snowing where you are, Mr Thiessen?

    The voice he heard was crystalline and thin
    like the air of thundersnow and cloud
    through which the waves of sound were broadcast.
    Mr Thiessen was indeed astonished
    by the miracle of wireless speech:
    prescient question about that stormy coast
    and its thick and frozen landscape; acoustic echo
    from the gifted Mr Fessenden.

    And a man’s own story is like snowflakes:
    unique and thin words wafting in the ether
    trapped in a transmission atmosphere
    settling onto giant private icebergs;
    or even snowflakes hardened into hail,
    crushing and dampening a private dream.

  • Poem a day for 22 April 2014: Gobbling the gook


    Tanunda Show Clowns. Photo by Robert Rath from Robert’s website.

    I’ve been writing a poem a day and publishing it here each April for the last few years. In 2012 I wrote a fun ‘nonsense’ poem called ‘Washing the hog’ which I had a lot of positive feedback for, so I thought it was time for another one.

    Gobbling the gook

    You bimp me glain an blup me guld
    to nink el seet sotiros
    I bimp de flayne, your gurpy trud
    we ninkie vell de leerus.

    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspLet’s hippna way me wanti cheer
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsphipp no weemy thayring
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspwe’ll fing de naypa ciggidy heer
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspan you kin ripty claring.

    An you kin vane de bibbly bung
    an you kin stawn de neep-o
    coz win you slean I run de ween
    an wan to bing de kleap-o.

    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspLet’s hippna way me wanti cheer
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsphipp no weemy thayring
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspwe’ll fing de naypa ciggidy heer
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspan you kin ripty claring.

    I capta loovie you.
    You manka cooby me.
    We fing de sakay noo
    an ripty chaky vee.

    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspLet’s hippna way me wanti cheer
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsphipp no weemy thayring
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspwe’ll fing de naypa ciggidy heer
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspan you kin ripty claring.

    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspLet’s hippna way me wanti cheer
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsphipp no weemy thayring
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspwe’ll fing de naypa ciggidy heer
    &nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbspan you kin ripty claring.

  • Poem a day for 21 April: Change


    The Change. Photo by Robert Rath from Robert’s website.

    It’s day 21 and we’re at the cusp of two astrological signs, Aries and Taurus.

    Change

    An unseasonally warm north wind
    has blown up,
    knocking over the bins,
    unsettling the dog,
    heating this cool brick house;
    it whooshes away the gum leaves
    that have built up in our driveway
    and around our front door;
    its sad rounded edges buffet me
    as I take in the washing;
    it carries wistful grit that sticks to my skin
    and stings my alien eyes;
    it sighs and sighs as it portends
    endings and clearings and whys and mendings
    and the beginnings of a cool change.