Today I’ve experimented with writing/constructing a concrete poem for National Poetry Writing Month (NaPoWriMo).
In a concrete poem, the way the words are arranged is as important as the message of the poem itself.

Today I’ve experimented with writing/constructing a concrete poem for National Poetry Writing Month (NaPoWriMo).
In a concrete poem, the way the words are arranged is as important as the message of the poem itself.

Today’s raw National Poetry Writing Month (NaPoWriMo) poem is modelled on Robert Frost’s ‘Stopping by woods on a snowy evening’, which ends with the enigmatic lines ‘…And miles to go before I sleep / And miles to go before I sleep.’
I’ve used the same rhyming scheme and the same number of verses.
Let me know what you think in the comments box.
Stopping in a Garden on a Thursday evening
This Garden, oh Gethsemane,
My Father knows I want to flee
But faith this paltry life transcends:
My duty to help mankind see.
I spent the evening with my friends
Broke bread, shared wine, now evening ends
My Father’s wish I can’t delay
On me his winning plan depends.
But Judas, you will me betray.
And Peter, by the breaking day
You’ll shake your head three times, deny,
Then cock will crow, to your dismay.
And even yet, I wonder why…
My friends, I bid you warm goodbye
Not long to go before I die
Not long to go before I die.
My day four National Poetry Writing Month (NaPoWriMo) poem is a haiku inspired by an ABC article about locusts.
Haiku
Tired locusts on red earth,
hold breath to rest,
prepare to swarm.
Today’s ‘naked’ National Poetry Writing Month (NaPoWriMo) poem was inspired by this lovely quote from a certain M C Richards: Poetry often enters through the window of irrelevance.
I hope you like it. Let me know what you think in the comments box.
Allowing the ordinary
I woke up at 5.30 this morning,
made myself a black coffee
in my favourite blue-and-yellow mug;
threw open the window
smelled the new-mown grass
regarded yesterday’s towels on the clothes line
noticed the faint outlines
of our three bicycles leaning against the fence
and the jumble of dog toys on the lawn;
I inhaled the fresh air
heard the doves call to each other
as elegant eucalyptus branches moved gently;
I saw a Tuesday morning blink its sleep-filled eyes,
watched an April sky pull back its curtains,
open its windows.
And later
as I considered ideas for today’s poem
my first thought was
that this morning
had been one like every other,
irrelevant
mundane
nothing special.
This week’s rescued piece is from Reading in the Dark by Seamus Deane (p105) and Flying the Kite by John Button (p31). Enjoy!
Dark kite
Fifty of the fattest
clumped hands
grabbed
petals of roses
on sacred rolling waves
in California.
An economy possessed.
Broken spirals
dashed arms
whirling in whitedown waters
clean cheeks
and fuck the flatter father
shocked the children.
Brothers, mothers, sobbing
a million marines marching
Jesus’s sacred tabernacle
angrily stripped
pickaxed
in red cement.
In Australia
an array of undernourished millionaires
panic.
Here’s my day two poem offering.
Yesterday
Yesterday was Palm Sunday.
I remembered only towards day’s end.
I remember well
in the Holy Weeks of my childhood
the smell
of fresh-cut pine tree branches,
sacramentals in the box at the church entrance.
We’d choose a blessèd stem
symbol of adulation
of imminent betrayal,
reminder of how we blow with the wind:
cry ‘Hosanna!’ one day
cry ‘Crucify Him!’ the next.
Yesterday was also April Fool’s day.
Just because I haven’t enough writing commitments on my plate, ha ha, I’ve signed up to National Poetry Writing Month (NaPoWriMo). This means I’ve set the intention to write a poem every day for the month of April.
What you’re going to see here every day for the month of April 2012 is a poem that I’ve just written, all raw and unedited (gulp).
Maybe this should be called Naked Poetry Writing Month?
When I write a poem I usually do a quick first edit, then I leave it for a week or so and revisit it and give it a good going-over with my red pen. (And sometimes that’s not enough to make it decent.)
But National Poetry Writing Month (NaPoWriMo) doesn’t afford me the luxury of that time.
So prepare yourself for some self-conscious naked poems this month.
Of course I’ll still be posting ‘rescued’ poems every Tuesday. That won’t change.
Okay, so here’s the first offering, inspired by the name of a book club mentioned over at L L Barkat’s website Tweetspeak.
Rumours of water
oozed along
long-forgotten river courses
trickled through
gaps in creek-bed memories
flowed silently towards
dry-boned cemeteries
eventually torrentialled
through the shrivelled awareness
of grain-dusted farmers
of thirsty settlers
of leathered drovers and their
scorched bullock teams
in the parched plains
going nowhere
from nowhere;
the promise
of drought broken
more welcome
than breaking bread
than breaking through
the dam of reasons for being
in this god-forsaken place.
This little rescue-ee is from Eva Luna by Isabel Allende (p217) and The Curious Incident of the Dog in the Night-time by Mark Haddon (p207).
Curious room
Beneath the hoping measured
narrow echoey train
was roar roar
was stutter stutter.
Machines in rows,
silently fluorescent.
Spindle factory,
quota weighed.
Damn bitches
in windowless cubicles
served the silent treatment.
Lipstick, ribbons, makeup, hair creams, boots, skirts
never paper-wrapped gestures.
Unappetising lunchroom leftovers:
beans and custard creams.
Walls that wear eyes.
I rescued this poem from This is not a novel by Jennifer Johnston (p33) and If on a winter’s night a traveller by Italo Calvino (p148).
perfect pushed-pulled champions of the sea
scorching first;
rinsed towel
squeezed uneasiness
gentle ghost
brushed
wiped down dismay
dry half-felt wet
under well eyes
somehow the naturalness of tears drown
rippling recognised
faceless but familiar
watching silent shadow lingered
indifferent to the moment
It’s that time of the week again!
I rescued this poem from Disgrace by J M Coetzee (p27) and The Shipping News by Annie Proulx (p193). What do you think? Or maybe I should ask how you feel.
Disgrace
Beer fingers pressed
his face towers
leaning like a lover
whispering wary affairs
        murmurs         no
        whispers         no
raise sweater
rip singlet
kick shoes
slip stockings
        says         no
        repeats         no
wracked forehead, mouth, shoulders, arms, hands, wrists, fists, buttocks, legs, ankles
        snarls         no
        crying         no
clinking movement
honey drinking
warm unfurled crushed will
                no
                no
heavy hands stroke folds
looped to bottles of misery
snake uncurled, hard against belly
intoxicating rock of female
clasped to a basket of heat
perforated prisoner
twitched, transfixed, then flicker
suddenly the idea of ice, blackening, double-towered, in waves
reared storm tilting soundlessly, quickly.
        Repeat         no.
        Meant         no.
Dead-man’s-fingers cover absence.