Feb '20
27
Thank you so very much to Kayla Gaskell of Tulpa magazine for coming along to my show and for giving it such a positive and thoughtful review. I'm glad you're still hearing the echoes of the chorus of 'It's a Brehon law, it's the Brehon way' tune!
Click here to read the review in Tulpa magazine.
Here's the text of the review:
In a captivating feat of storytelling, Jennifer Liston entrances her audience with a combination of spoken word and song. Liston’s talent for drawing in her audience is impressive as she tells the tale of a distant ancestor, the legendary Irish rebel and pirate queen Grace O’Malley (Grainne Mhaol).
Born in the 16th century, O’Malley’s life was different to that of the typical female archetype of the time. A born leader and a wily adversary, O’Malley’s life was ruled by her love for the sea. Having devotedly learned the art of sailing and clan rule from her father, O’Malley returned to her clan after the death of her husband, taking on the role of clan chief and maintaining their reputed strength on both land and sea. With her education steeped in Brehon law, O’Malley’s character is presented as being a highly moral individual both for the good of her family and her clan.
One of the highlights of this show is perhaps the explanation of Brehon law, a cultural norm of the time which bleeds into modernity. Together with explaining the concept and telling us of O’Malley’s afront at this law being ignored, she also graces us with a haunting tune that will stay with her audience for some time yet. Even now I can still hear the echoes of that chorus.
Liston transforms the atmosphere of the Grande Room in Gilbert Street hotel into something almost mystical. With the help of white and red lighting, subtle costume ‘changes’, and the skill of switching between song, narration, and poetry the audience is quickly drawn into this entirely captivating performance.
Born from scraps of history, legend, and a touch of innate intuition, this performance is telling in the way stories can inspire new works of art. If Liston hadn’t heard O’Malley’s story from Sister Peter back in school and if she hadn’t talked with her mother about it after, who knows if Liston would have come so far as to perform this particular show at this particular Fringe Festival far from the wilds of her Irish homelands.
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